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Fri, 20 Nov 2009 Feature Article

An age in which nothing can be forgiven by CAMERON DUODU

Everything written about anything that gets posted on a website on the internet, is stored for ever.Everything written about anything that gets posted on a website on the internet, is stored for ever.

I've just become aware of a book which discusses one of the curses of our age: our inability, because of the Internet, to prevent people from reading things written about us which are not true.

The book is entitled “Delete: The Virtue of Forgetting in the Digital Age”.

It is by a man called Viktor Mayer-Schönberger and is published by Princeton University Press, Princeton, NJ, USA.

It costs $24.95
The writer points out that because of the powerful search engines that exist on the Internet, everything written about anything that gets posted on a website on the internet, is stored for ever.

One of the examples given by the writer is a confession, made in a jocular mood, by someone about a love affair he had had with an under-age person.

This fellow had forgotten all about it when ten years later, he applied to visit a foreign country.

When a “search” was made of his name, the story of his love affair came up and he was not allowed to make his journey.

Ten years? Yeah.
Nothing gets forgotten these days.
Of course, the writer points out, it is possible to exercise one's legal right to confidentiality and privacy and get untrue things written about oneself to be taken down from the Internet through a court order.

But because of the complexity of litigation, and the cost it often entails, few people do exercise their legal rights.

I know from personal experience that what he says about us not being able easily to remove things written about us is true.

For I found my name associated with an untruth in the Report of the National Reconciliation Commission, published in 2004.

In Volume 4 Chapter 3, Paragraph 2.7.6, the following statement is made, in the context of a potted history of government harassment of journalists in Ghana:

“On 14th December 1967, the NLC (National Liberation Council) caused the dismissal of four editors, three of whom worked for the state-owned press: John Dumoga (Daily Graphic), Moses Danquah (Ghanaian Times), Henry Thompson (Evening News) and an editor of the Ashanti Pioneer.

Their crime was criticising the Abbot Laboratory (a U.S. pharmaceutical company) Agreement with the NLC regime.

“A new editor for the Daily Graphic, Cameron Duodu, was appointed to replace the dismissed editor, by the NLC.

He was also later to be dismissed, ironically, by the civilian Progress Party Government, for criticising Dr. Busia's policy of 'dialogue with South Africa'.”

Whoever wrote this for the NRC had stood history on its head! I was appointed editor of the Daily Graphic in 1970 and NOT in 1967 — three whole years later.

So the impression given in the Report that I profited from the dismissal of courageous editors by accepting an appointment from the Government that had dismissed them, is totally false.

What is strange is that whoever wrote the paragraph for the Commission could so easily have checked his or her facts and thus escaped from writing an untruth.

The Daily Graphic keeps bound copies of all its editions in its library, and on the back page, the name of the editor is always to be found. Sheer laziness, I am sure, caused this error.

For even if the writer was too lazy to go to the offices of the Daily Graphic to check, he/she could have gone and found bound copies of the paper at the Padmore Library, where such copies are kept.

When I found out about the inaccuracy, I complained to a friend of mine, who was a former employee of the Commission. He told me that since the Commission had been disbanded, the only person who could cause the error to be corrected was the Chairman of the Commission, Mr Justice Amuah-Sekyi.

But before I could write to the eminent judge, he unfortunately expired. My only option is to complain to the Deputy Chairman of the Commission, Brigadier Erskine. But when shall I get the opportunity?

The funny thing is that this story, which paints me in a bad light, was the exact opposite of what actually took place in 1967. It happened like this: before the editors were dismissed, I was asked by the Press Officer of the NLC, Mr C.C Lokko, to come and see him.

When I went to the Castle to see him, he took me straight to the office of the Secretary to the Cabinet, Mr Apaloo, and left me with him.

Mr Apaloo did not tell me anything about editors being sacked, but asked me how I felt about becoming editor of the Daily Graphic.

I said I would love to be editor of the paper, but added, “I must warn you, though, Sir: if there is a conflict between the government's interest and the public interest, I shall go with the public.”

He thanked me and I left. I never heard from either him or Mr Lokko again!

Later, when the storm about how the NLC had dismissed the three editors over the Abbott Laboratories controversy broke, I realised how lucky I had been in telling Mr Apaloo exactly what I would do in case of precisely such a conflict as had broken out between the Government and the editors over the Abbott issue.

Had I accepted the appointment and later found out that the editors had been sacked, they would have become heroes while I would have been thoroughly embarrassed, cast as a villain in the public eye. It was only my instinct to tell the truth to power always, that had saved me.

Because I had kept this bit of our history confidential, someone had written the exact opposite of what had happened, and it was that that was on the Internet. How absolutely ironical. The truth is that I became editor of the Daily Graphic in completely different circumstances.

A popularly elected Government was in power, not a military one. How that civilian Government could not abide my views, in a democracy, is one of the paradoxes of the age in which we lived at the time.

To me, it was a chance to do precisely what I had told Mr Apaloo that I would do: promote the interest of the people of Ghana, if I felt the interest of the Government of Ghana was in conflict with what I believed the people of Ghana wanted. It is a nice distinction, and I would love to expound on it.

But alas, I simply do not have the space here to do so.

Credit: Cameron Duodu
Development / Accra / Ghana / Africa / Modernghana.com

Cameron Duodu
Cameron Duodu, © 2009

Martin Cameron Duodu is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.. More Martin Cameron Duodu (born 24 May 1937) is a United Kingdom-based Ghanaian novelist, journalist, editor and broadcaster. After publishing a novel, The Gab Boys, in 1967, Duodu went on to a career as a journalist and editorialist.

Education
Duodu was born in Asiakwa in eastern Ghana and educated at Kyebi Government Senior School and the Rapid Results College, London , through which he took his O-Level and A-Level examinations by correspondence course . He began writing while still at school, the first story he ever wrote ("Tough Guy In Town") being broadcast on the radio programme The Singing Net and subsequently included in Voices of Ghana , a 1958 anthology edited by Henry Swanzy that was "the first Ghanaian literary anthology of poems, stories, plays and essays".

Early career
Duodu was a student teacher in 1954, and worked on a general magazine called New Nation in Ghana, before going on to become a radio journalist for the Ghana Broadcasting Corporation from 1956 to 1960, becoming editor of radio news <8> (moonlighting by contributing short stories and poetry to The Singing Net and plays to the programme Ghana Theatre). <9> From 1960 to 1965 he was editor of the Ghana edition of the South African magazine Drum , <10> and in 1970 edited the Daily Graphic , <3> the biggest-selling newspaper in Ghana.< citation needed >

The Gab Boys (1967) and creative writing
In 1967, Duodu's novel The Gab Boys was published in London by André Deutsch . The "gab boys" of the title – so called because of their gabardine trousers – are the sharply dressed youths who hang about the village and are considered delinquent by their elders. The novel is the story of the adventures of one of them, who runs away from village life, eventually finding a new life in the Ghana capital of Accra . According to one recent critic, "Duodu simultaneously represents two currents in West African literature of the time, on the one hand the exploration of cultural conflict and political corruption in post-colonial African society associated with novelists and playwrights such as Chinua Achebe and Ama Ata Aidoo , and on the other hand the optimistic affirmation of African cultural strengths found in poets of the time such as David Diop and Frank Kobina Parkes . These themes come together in a very compassionate discussion of the way that individual people, rich and poor, are pushed to compromise themselves as they try to navigate a near-chaotic transitional society."

In June 2010 Duodu was a participant in the symposium Empire and Me: Personal Recollections of Imperialism in Reality and Imagination, held at Cumberland Lodge , alongside other speakers who included Diran Adebayo , Jake Arnott , Margaret Busby , Meira Chand , Michelle de Kretser , Nuruddin Farah , Jack Mapanje , Susheila Nasta , Jacob Ross , Marina Warner , and others.

Duodu also writes plays and poetry. His work was included in the anthology Messages: Poems from Ghana ( Heinemann Educational Books , 1970).

Other activities and journalism
Having worked as a correspondent for various publications in the decades since the 1960s, including The Observer , The Financial Times , The Sunday Times , United Press International , Reuters , De Volkskrant ( Amsterdam ), and The Economist , Duodu has been based in Britain as a freelance journalist since the 1980s. He has had stints with the magazines South and Index on Censorship , and has written regularly for outlets such as The Independent and The Guardian .

He is the author of the blog "Under the Neem Tree" in New African magazine (London), and has also published regular columns in The Mail and Guardian ( Johannesburg ) and City Press (Johannesburg), as well as writing a weekly column for the Ghanaian Times (Accra) for many years.< citation needed >

Duodu has appeared frequently as a contributor on BBC World TV and BBC World Service radio news programmes discussing African politics, economy and culture.

He contributed to the 2014 volume Essays in Honour of Wole Soyinka at 80, edited by Ivor Agyeman-Duah and Ogochukwu Promise.
Column: Cameron Duodu

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